Which album is the song O Sajana Barkha Bahar Aayi (From "Parakh") from? O Sajana Barkha Bahar Aayi (From "Parakh") is a hindi song released in 2013. Glossaryīarkhaa: rain ras: nectar puhaar: sprinkles, droplets papiiharaa: pied-crusted cuckoo bird (associated with the monsoons in Indian mythology) jiyaraa: heart rimjhim: light rain saa.nvalii: beautiful salonii: dark ghaTaa: clouds rainaa: night nindiyaa: sleep.© 2013 Saregama FAQs for O Sajana Barkha Bahar Aayi (From "Parakh") When was O Sajana Barkha Bahar Aayi (From "Parakh") released? Oh beloved, the rain-filled season of spring has arrived. The night passed in my eyes, and I could not fall asleep. When the beautiful dark clouds spread throughout the sky,Ī.nkhiyo.n me.n rainaa gayii, nindiyaa na aayii Saa.nvalii salonii ghaTaa jab jab chhaayii My eyes long for you, my beloved, in this light shower of rain MiThii miThii aganii me.n jale moraa jiiyaraaĪisii rimjhim me.n, o sajan, pyaase pyaase mere nayan The cuckoo bird in my heart calls out to you, It has brought sprinkling droplets of nectar, it has brought love to these eyes. Ras kii puhaar laayii, a.nkhiyo.n me.n pyaar laayii Oh, my beloved, the rain-filled season of spring has arrived. P.S: As an extra tidbit of trivia, it has been said that the only non-classical record found in the collection of renowned Hindustani vocalist Ustad Bade Ghulam Ali Khan after his death was an LP of “na jeo na.” What an honor! O Sajna Barkha Bahar Aayi Lyrics and Translation In fact, as is the case with many of his Hindi songs, the tune for “o sajna” was released in Bengali first in 1959 as “ na jeo na.” This song was one of Lata Mangeshkar’s earliest hits in the Bengali music industry, and Bengalis have cherished the collaboration between Lata and Salil ever since this major musical milestone. Among these languages, Salil’s most prolific work was in his native tongue Bengali–he revolutionized the genre of the Bengali adhunik (modern) song with his musical compositions and self-written lyrics (what a multi-talent!). Those of you familiar with Salil Chowdhury’s work in Bollywood may be surprised to know that he also composed songs for a wide variety of Indian languages, including Bengali, Malayalam, Tamil, Kannada, Telegu. His compositions are often remembered for their unusual melodies, rich orchestration, and integration of Western and Indian classical themes. Although Salil Chowdhury did not receive his due during his lifetime, he is undeniably one of the most talented and revolutionary composers from the Golden Era. This song is considered to be one of the finest compositions of the music director Salil Chowdhury (who also wrote the story for Parakh ). Meanwhile, the postmaster’s daughter (Sadhana) begins to fall in love with the schoolmaster, and she sings “o sajna” as she pines for him in the rain.Ī musically timeless duo: playback singer Lata Mangeshkar and music director Salil Chowdhury When it is decided that an election will be held, influential characters in the village begin campaigning to persuade the village that they are the most deserving candidate to receive the check: namely, the impious postman (Motilal), the pious piest (Kanhaiyya Lal), the creepy rich man (Asit Sen), the greedy doctor (Rashid Khan), the landlord (Jayant), and the well-respected schoolmaster (Vasant Chowdhury). Parakh satirizes Indian democracy using a plot in which the postmaster (Nasir Hussain) of a village mysteriously receives a check for five lakh rupees to be given to an individual who is most well-equipped to benefit the village. Today, I’ve translated an all-time classic rain song from the film Parakh (1960) directed by Bimal Roy (he won his third Filmfare Award for Best Director for this film!): “o sajna barkhaa bahaar aayii”. From “ pyaar hua iqraar hua” in Shree 420 (1955) to “ ghanan ghanan ghir aayii badra” in Lagaan (2001), fans of Hindi cinema have been treated to a number of beautiful gems about the rain over the years. Rain songs have always held a special place in Bollywood cinema. Because she plays the role of a village girl here, she was instructed to get rid of the characteristic "fringe" hairstyle seen in her later movies in order to avoid looking too glamorous! Sadhana wistfully enjoys the rain in "o sajna barkhaa bahaar aayii" from Parakh (1960).
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